A Literary Life

I haven’t forgotten about you, dear blog. I’ve just been very busy. So, updates. The Story Engine in Newcastle went swimmingly – very interesting Q&A sessions with David Peace, Denise Mina, Tony Grisoni and the wonderfully self-deprecating Mike Hodges (who signed his novel for me and lamented the state of modern British publishing, agreeing with so much I have already said – can’t break in unless you’re Oxbridge, they won’t market you when you do, and they won’t pay for a proof reader). I met a few lovely people up there whom I spent the conference sitting with – students both, but who knows, they could be the next big things – and then had a far too long coach ride back home. I did read Little Dorrit though, which has jumped to the top of my Dickens’s best of list (with Nicholas Nickleby and Dombey and Son.) The script writing then: The Story Engine left me with a few ideas for a crime series that I came back to Oxfordshire with buzzing around my head. I st...

Tomorrow is the day of long journeys. First a 50 minute train ride into London, then across the city to a bus station, where I begin an 8 hour coach ride to Newcastle, and then finally, if that wasn’t enough, another 50 minute bus ride out to my hotel. A hotel that is six miles outside the city centre – despite being advertised as only three miles. Named and shamed: the Travelodge at Silverlink. So almost ten hours sitting down: I’ll need a good book. Or five. Consequently I’ve uploaded Charles Dickens’s Little Dorrit to read, along with a collection of Keats’ poetry and a modern novel, Abraham Verghese’s Cutting for Stone. As I have an equal length journey back from Newcastle, I’ve Balzac’s epic cycle of novels and Herman Melville’s Moby Dick to keep me going. I think the ten hours will go quicker than they otherwise would. And if I get bored of reading, I’ve a couple of audio plays from Big Finish on my MP3 player to keep me going. I was supposed to read last...

On Thursday I travel northward. I am going to spend the weekend in the beautiful city of Newcastle Upon Tyne where I will be attending The Story Engine: The Scene of the Crime . A two day conference dedicated to screenwriting – with an emphasis on crime, as you’ll note by this year’s subtitle. The opening event, on Friday night, is a screening of Mike Hodges seminal gangster flick Get Carter. One of my favourite films of all time; I don’t know how many times I’ve seen it. The bonus of this screening is Mike Hodges is in attendance and will be speaking about the film. The second day of events promises even more excitement. We’ll be hearing from Denise Mina about writing crime fiction, Mike Hodges and David Peace exploring the importance of place in genre fiction. Then Tony Grisoni outlines writing the superb Red Riding quarter for Channel 4. Then the BBC’s John Yorke talks about crime on television. Then Script editor Eva Svenstedt Ward and writer Antonia Pyk discu...