The Pirate Weekend |
A late posting today, only
an hour before the end of the day, following a nine hour shift following a
night out on the town. But this is
exactly why I set myself this challenge.
After such a stressful, busy-busy day, the last thing I’d want to do is
think, creatively or otherwise. But now
I need to write something, it has me thinking about other things I’d like to
write. It has awakened a part of me that
has remained dormant throughout the day.
It has been the kind of
day where there is little of note upon which I can report. It’s been a pirate-themed weekend in our
little town, and hundreds of people have dressed up, carrying out pirate-based
activities. Saturday morning I was woken
by cannon fire – how often does that happen?
Today we’ve seen hundreds of kids with painted faces, mock-sword fights
in the shop, and an lot of very happy faces.
It is such occasions that bring out the sense of community, that remind
you why it is sometimes a blessed thing to live in a small place. Pirate weekend has bought people together,
commonly, in good natured fun.
As a writer such a weekend
is an insightful experience. Creative
drama is all about conflict, about things not working out. When I sit down to write a story, or a
screenplay, I am looking at how best to put my characters into conflict: what
has A got that B really wants? What has
A got that B will kill for? We become receptive
to drama and conflict in the real world because we’re so attuned to it in our
creative lives. But, as writers, we need
to remember there is light as well, that humankind can come together in
charming, surprising ways. The look of
delight on a child’s face as a pirate captain warped a balloon into an
animal. The way in which friends mucked
about in pirate costume for the entertainment of others, and for no pay – not
even officially part of the festivities, just getting into the spirit. Wonderful.
And you have to remember these moments exist. They might be moments that
have little place in the conflict of a script, but such moments, deployed well
in a fiction, end up making the fiction seem more human. More real.
More honest.
There are little moments
from this weekend that I’ll treasure in memory, that I will work over
subconsciously, and that one day my end up feeding into something else I write,
further down the line. So writers, be
open. Be awake to the little moments. Not just to the conflict, but the
joy as well. The joy can be as important
as the conflict in making your work sing.
They can be the difference between an average piece of prose, and
something magisterial.
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